2025-08-26
Early Chinese Thought and Its Contemporary Significance
古代東亞民俗、文學與文獻/Ancient East Asia folklore, literature and document
This course is jointly taught by Professor Ming-Chang Yang (Department of Chinese Literature, National Chengchi University), Professor Yasushi Arami (Graduate School of Humanities and Social Sciences, Hiroshima University), Professor Jun-cheol Lim (Department of Chinese Literature, Korea University), and Professor Kuei-ju Lin (Department of Chinese Literature, NCCU). The course focuses on the transmission, transformation, and exchange of literature, folklore, and texts within the East Asian Sinographic cultural sphere from the Sui-Tang period onward. More specifically, it examines how, from the fifth and sixth centuries—when the Sinographic cultural sphere began to take shape—through the seventeenth and eighteenth centuries, classical Chinese served as a medium of circulation and interaction across literature, folklore, and textual traditions in China, Japan, and Korea. Professor Yang and Professor Arami will concentrate on Sino-Japanese literature and folk beliefs before the fourteenth century, while Professor Lim and Professor Lin will focus on Sino-Korean and Sino-Japanese literary and publishing culture from the fourteenth century onward.
Given the continuing severity of the global pandemic, lectures by overseas scholars will be conducted online, while faculty from this institution will primarily teach in person (with adjustments as necessary depending on the domestic situation). To enhance the immediacy of both online and in-person instruction, the six units of the course will be accompanied by photographs, charts, and video materials relating to East Asian Sinographic literature, folklore, and textual traditions. This approach aims to help graduate students absorb the intensive content more effectively, deepen their understanding of cultural circulation and interaction within the Sinographic sphere, and further develop perspectives for research in this field.
The six thematic units of the course are as follows:
Legends of Historical Figures and Folk Beliefs in Ancient China and Japan
This unit explores how legends recorded in Chinese classical texts—such as historical biographies, miscellaneous accounts, Buddhist biographies, and tales of the strange—gradually evolved from their origins into broader cultural narratives. Examples include legends surrounding the Southern Dynasties monk Baozhi, the Tang writer Bai Juyi, and the famed Indian physician Jivaka, and their connections to folk beliefs in ancient China and Japan.
Japanese Buddhist Literary Texts
Focusing on The Lotus Sutra and its profound influence on Japan, this lecture examines records from the Nihon Shoki of Prince Shōtoku’s lectures, his commentary (Hokke Gisho, 615 CE), and later works such as Zennen’s Great Japanese Collection of Lotus Sutra Miracles, Nichien’s Hokke Genki, Naiki Hoin’s Japanese Lotus Sutra Miracles, and Chigen’s Lotus Sutra Miracles.
Dunhuang Literature and Japanese Setsuwa Literature
Centered on the Zhongjing Yaoji Jin Zang Lun, this unit investigates its influence on Japanese setsuwa works. Its impact is evident in early manuscripts of Nihon Ryōiki, as well as in Konjaku Monogatari. The text also shaped the development of Chinese Tang-dynasty storytelling genres such as sermons, transformation texts, and origin tales.
The Publication of Tao Yuanming’s Collected Works and Self-Elegies in Joseon Korea
This lecture examines the reception of Tao Yuanming in Korea by analyzing the publication history of his collected works and their influence on the development of self-elegy poetry in the Joseon dynasty.
Song-Yuan Classified Anthologies and the Early Joseon Pungso Gwibeom
This unit explores the characteristics of the Joseon anthology Pungso Gwibeom within the broader East Asian tradition of categorizing poetic themes. It also examines classification methods in Chinese works such as Categorized and Annotated Poems of Li Bai, highlighting how classification practices shaped Korean literary compilations.
Chinese Strange Tales and Japanese Edo Literature
Focusing on Jiandeng Xinhua and Liaozhai Zhiyi, this lecture analyzes how these works influenced the Japanese tradition of ghost tales. It explores how Japanese adaptations not only imitated but also innovated upon these texts, engaging with them from religious, moral, and artistic perspectives to reveal both cultural negotiation and divergent interpretations of life.